childbirth

The Magic of Alice At Naptime

It’s so close to Mother’s Day and I want to share something that’s not about these turbulent times but rather universal truths and wee ecstatic bits of joy. Let me tell you about Alice at Naptime the loviest, easy to order gift for new moms, older moms, moms to be be – dads too of course.

Naptime- those words evoke a sense of peace and calm. Calm if you are the one indulging in a nap – but even more tranquility if the sleeping person is your busy little one.

Alice at Naptime is the sweet and dreamy latest book by Canadian artist and mom, Shea Proulx (full caveat – my daughter). Moms with children of all ages will delight in pouring over the colourful depictions of the sleeping child and lose themselves in the narrative carefully created for adults and children. In this graphic story a baby’s naptime gives the mom a welcome chance to turn away from its need of constant attention but the artist can’t – the baby is her muse.

As Shea Proulx says, “At its core, Alice at Naptime tells a universal story, of a parent pining for past freedoms, while simultaneously descending down a rabbit hole of all-encompassing maternal love.”

It’s the perfect gift for new moms, artist-moms, moms we’re grateful for – and admirers of all of those. Anyone really – moms, dads and children – can lose themselves in the artwork that winds around itself in an ever changing pastel wonderland. There is a limited edition gift set that includes a signed hard copy, two charming pins, and a special chocolate bar – a Mother’s Day present extraordinaire. Support a Canadian publisher (and artist) and order it here https://renegadeartsentertainment.com/product/alice-at-naptime/

This lovely and captivating book can also be ordered from Amazon https://www.amazon.com/Alice-at-Naptime-Shea-Proulx/dp/1988903521

Watch for a new book from Shea Proulx to be available soon.

The Gift of an Artist’s Muse

I want to give you a Christmas gift dear readers, a gift of wonder and beauty created by an artist that I hold dear to my heart. The gift is Alice at Naptime. The artist is my daughter, Shea Proulx. Alice at Naptime is a poetically illustrated graphic novel – a woman becomes a mother, an artist needs time away from her heart’s focus to draw, but she is caught by this new muse – her sweet sleeping baby.

In a review for Pickle Me This, Kerry Clare writes of Shea Proulx’s book, Alice at Naptime is a series of illustrations that Proulx drew of her daughter when she was a baby. “I used to draw all the time…” the book begins, “but now just at naptime.” And when Alice is napping, she draws Alice, her sleeping face set into kaleidoscopic scenes, a wonderland of strangeness, symmetry and doubleness that grows to fill the entire spread: “a symphony of Alices.” A kind of dreamland. And fittingly, for a child named Alice with illustrations that are definitely trippy, there is wonder: “Alice is strapped down so often when she naps. It looks like we’re worried she might float away.” What does Alice dream about? Proulx asks the reader, And I remember the fascination of my sleeping child’s face, the smallness of my world then—I remember the day my child discovered causality while kicking an arch on a baby gym, and both our minds were blown, but nobody else cared. “It’s just that I’m so in love,” Proulx writes, “lost in a sea of Alice.”

As Shea tells us in the afterward, “I’m not the person I was then. You don’t become a mother all at once. You have to grow into that new self. I recognize the fragility of the tenuous identity I was sorting out as I relaxed into a new rhythm… It isn’t without sacrifice that women become mothers, or men fathers. But the gains are heady and by their nature, indescribable, as are many natural desires. I only hope I’ve done the process some small justice. I owe that to a former self, that new mom, adrift in a wonderland, wondering who she would become.”

Alice at Naptime would be treasured by any parent or parents-to-be, but children too are entranced by the story and illustrations.  Alice, herself, now nine-years-old (creating books take time) has read it to her little sister, Lucy. I invite you to share it this holiday season with a loved one or simply indulge yourself.

You can purchase it from the publisher Renegade books – and support an amazing Albertan publishing house, Renegade Arts Entertainment  or from Amazon Amazon Alice at Naptime .

If you’d like to see more of Shea’s work she has also published Alice in the Womb, an adult colouring book which “shapes ethereal imagery around the fetus growing and transforming in Proulx’s belly, from conception to birth. And an all ages colouring book, ABC Monstrosity – both available from Etsy at Shea Proulx Etsy or Amazon Alice in the Womb or https://www.amazon.ca/ABC-Monstrosity-Shea-Proulx/dp/0994924119

Alice at Naptime and The Rabbit Hole of Maternal Love

Naptime- those words evoke a sense of peace and calm. Calm if you are the one indulging in a nap – but even more tranquility if the sleeping person is your busy little toddler.

Alice at Naptime is the sweet and dreamy latest book by Canadian artist and mom, Shea Proulx. Moms with children of all ages will delight in pouring over the colourful depictions of the sleeping child, and will lose themselves in the narrative carefully created for adults and children both. In this graphic story a baby’s naptime gives the mom a welcome chance to turn away from its need of constant attention but the artist simply can’t – the baby is her muse.

As Shea Proulx says she, “spent her twenties going to forest-raves, living with a lot of strange people, and becoming over-educated at Emily Carr and UBC. Immediately after graduating with an MFA she discovered that she was totally pregnant…  At its core, Alice at Naptime tells a universal story, of a parent pining for past freedoms, while simultaneously descending down a rabbit hole of all-encompassing maternal love.”

It’s the perfect book for new moms, artist-moms, moms we’re grateful for – and admirers of all of those. Anyone really – moms, dads and children – can lose themselves in the artwork that winds around itself in an ever changing pastel wonderland to the tales end. The book is available in hard and soft cover or a limited edition gift set that includes the hard copy with a signed book plate, two charming pins, and a special chocolate bar – a Mother’s Day present extraordinaire.  Available from the publisher – Renegade Arts and Entertainment.

Alice at Naptime can also be ordered from all your favourite book sellers (which include some in the UK) and Indigo and Amazon.ca Alice at Naptime

If You See Cubs, The Mother Will Be Nearby

Ancient writers believed that the mother bear continually licked her little cub until it took shape. This was considered to be the very essence of creation, and as a result the Greeks and Romans referred to the bear only in the feminine gender. In the classical world of 40,000 years ago, the bear appeared as a goddess wearing a bear mask, the very symbol of the great mother of all creation. www.bearden.org The Bear Facts

 

Grizzly bear (Ursus arctos horribilis) cubs.

Image via Wikipedia

 

You have babies.  You raise them.  They leave.

“Just one more,” I said in 1985, (and 87, and 89) until I was surrounded by babies and toddlers and a wise little five-year-old.  Their needs took care of my needs.  I wasn’t one of those young girls who said she wanted a big family.  Sure, I wanted kids and I wanted a career, like every other independent thinker in my feminist studies class in first year university in 1979.

I was twenty-four when I had Zoë.  They say twenty-four is the new eighteen.  By that standard mine was almost a teenage pregnancy. My husband, Will, was in the last year of an undergraduate degree before three years of law school.   His student loan coffers were being supplemented by my big-bellied waitress gig and a future plan to write the great Canadian novel with the expertise of my Creative Writing degree, while our little one napped. Need-less-to-say I wasn’t writing novels after the arrival of Zoë knocked our collective socks off. It was a heroic feat to keep my eyes open, shower periodically, tend to every last one of her little baby needs and get over any lunatic earth mother intentions, such as homemade baby food (as pretty as it looked in the jars). One afternoon, I watched a couple past down the street holding the hands of their small boy and swinging him happily off the ground between them.  That looked just right – two adults, one child, a nice montage.  A week later I was pregnant with my second baby.  Our family would make a slightly bigger mosaic.

Cole was, and still is, the polar opposite of his sister Zoë.  At nine months he was running figure eights around the three of us.       It sounds flaky, but during a desperately needed weekend escape from two toddlers, looking out at the starry night from inside a spooky Waterton Lakes Park hotel, I told my husband we can discuss whether or not we should have a third but I just know there’s another one waiting to come to us. Hudson, baby number three, was the catalyst for my searching out books on getting organized.  It was clear that I was in over my head when I began pouring cereal into their bowls the night before to save me the trouble during my almost comatose mornings.

At the tender age of only three-and-a-half Zoë was a big help with her two brothers, but I was falling behind the eight ball with some mothering details.  On one of my I-can-only-open-one-eye mornings I found her at the fridge helping out by filling Cole’s bottle with milk and getting another bottle ready for herself.  If I had missed introducing Zoë to the sippy cup in my overwhelmed-by-children state what else had I neglected?

Blam.  It struck me.  I know what I had neglected.  I had neglected to give Zoë a sister.       Will was admitted to the Alberta Bar to begin his career as a lawyer, and I should have been admitted to the loony bin for not being content with our familial montage until it was made up of – me with new baby, Lily, in the snugli, while somehow two-year-old Hudson, the cuddler, still bumped along on my hip as Cole ran circles around us, and Zoë helped push the empty buggy.  There were still moments in the shower for years after where I debated whether or not I could accept that I was finished with babies – the teeny soft heads, and chubby feet and that spot under their wobbly neck that felt so sweet, their gurgles, and sugar breath tucked into our bed with us – could I be done with all of that?  It was telling that these moments of longing for more ‘baby’ occurred in the shower, being that was the only place I had time for reflection.  Four was enough.  Perhaps some Catholics, and certainly Mormons still have more, but I couldn’t say my family size was faith based, though a certain amount of faith was required to maintain my belief that I could manage my foursome.

Stick with me – I’ll be back Mondays and Thursdays – with further excerpts from the book project – Text Me, Love Mom – A journey to the day I found myself  still pining over the firstborn’s swift departure, and only starting to see the humour in the second’s being held at the Canada/U.S border with all his belongings in a plastic garbage bag, at the same time confused about whether it would be a positive or negative for our third child to enter an ashram, when our youngest, a sensitive homebody, asked if we’d allow her, at only sixteen to do a high school exchange to spend five months in Travestere, Italy.   (She’d already filled out the papers.)